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Sep 5, 2026
Never have I ever seen a manga where the art is so stylish while the story is so ass. I picked this up as per TheAnimeMan's recommendation and I don't think I'll be able to take his word up anymore after this. The manga's fanTL has finally reached its finale and I can't even say it was worth it. The story initially starts with us following Kagyu as she tries to win over the heart of her childhood friend and teacher, Kamo. Kamo has a nat 20 on Charisma so every woman in the school he teaches at is in love with him. The story
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is formatted in a way where Kagyu literally fights Kamo's romantic pursuers to some really stylistic action and hilarity ensues. Despite having a simple foundation, the story was not able to maintain that format for its 159-chapter run, so it introduced a more traditional shounen approach of having a group of people come in and fight the main gang because they're there to turn the school into a dictatorship or smth, idk don't think about it too much.
Let's start off with the positives. Firstly, the art. I don't think I would've been entertained for as long as I did had it not been for the great art. There's a lot of really strong exaggerated faces and movement that works well in fight scenes. The author has a way with doing these really deep and inky, scratchy way of doing like shadows and whatnot- it looks cool and grunge-y at times. However, that's where my compliments for this series stop.
The transition to the battle shounen format kinda sucked. There's this tonal dissonance with the craziness of this Kill la Kill style school and Kamo being the most normal presence in the manga (and, y'know, he's also the main character). They just had him meandering in a way that felt unnecessary to every story arc that required this suspension of disbelief. Nothing showed that more than the final saga involving the school principal. Turning Kamo into a doomer so that he could fight to Nichie's level felt so sudden.
The series felt so disconnected from its original set up that by the time we reached the conclusion of Kagyu and Kamo relationship, you've already forgotten the weight of that. It's at the end of a middling saga of going around and fighting some yahoos that admittedly have great character design but sadly you had no attachment to, at least that's how I feel. A 4/10 story carried one point up by its artstyle. Marble makes my peepee hard but that's about it.
Reviewer’s Rating: 5
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Jul 17, 2026
I fw it. I initially picked this up because I wanted more from the author of Shisunki Renaissance David-kun and he sure as hell delivered. A lot of the supporting comedy comes from having modern technology combine with fantasy elements in a tonally jarring way like a sword having a usb port or something like that.
Though, at the start of the manga, I wasn't super feeling it. The main character, Lucas, acts as the straight man similar to Shinpachi in Gintama but he screams his heart out to the point where it just doesn't feel that entertaining, especially when Monika and JB are just abusing
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him too much. Bordered the line on Squidward torture at times since other supporting characters are here to grind Lucas' gears too. But after about 30 chapters or so, the manga finds its footing in comedically abusing Lucas and the chaos that surrounds his family and friends.
Sword Spirit Eldo might be my favorite side character. I'll admit that I'm weak to his particular brand of nudist, homoerotic humor. Yoshie is a great mid-series addition to the cast with the Demon Lord family connection making for some awesome jokes, especially with her brother Takeshi. Speaking of Takeshi, they basically lobotomized him in the ending. I thought that was hilarious. The final arc concerns a man wanting to reset the world because modern tech and high fantasy shouldn't mix. JB became a bad guy for a bit and while the arc felt a lil short, I like that it didn't overstay its welcome. As for my favorite arc, it's prolly the spirit tournament because, again, Eldo. Overall, good series.
Reviewer’s Rating: 7
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May 23, 2026
The name being quite the simple "Exorcist and Devil", I picked this one up during my big manga fever and I was looking for something a little sweet. And ngl, it delivered appropriately. The story follows Lily, a tiny demon girl who's enamored by this silver fox of an exorcist, Evan. The series starts off with a simple premise of how much Evan can swoon Lily. We meet a couple of new cast members like Lily's other demon friend, and one of Evan's companions (who had the hots for him, like who wouldn't?), for the sake of bumping up the cuteness and variety of setups.
Despite
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the premise of "a cool person does a cool thing and makes the uwu blushing girl go doki doki", I find it somewhat refreshing that it never goes for a real "will they, won't they" regarding our two characters, especially with that humungous age gap. And this isn't even like a morality/virtue signaling thing, I think the fluff was maximized by making it about a lowkey doting father figure and a girl who's healthily processing her feelings of love. Of course, Evan is not shy to when it comes to leading Lily on, but for the giggles and stuff.
As of the time of writing, the final chapter just dropped and despite the style looking wholly unfinished- as the art is pretty great usually- the story ending with Evan assigning Lily as his familiar, with the presentation of it looking like a wedding, is a fine compromise to the lingering idea "what kind of love is this?". As for the unfinished art, this was probably a final outline in terms of the drawings rather than the writing, I feel. An exorcist taking care of what he's supposed to take down, you'd expect some backstory, and you would be right. It's hung over you a couple of times but even with the "seriousness" of it, the story manages to keep things light. Overall, good series. Just a fine, fluffy, comfy, no-stakes, iyashikei manga with a light fantasy tinge. 7/10.
Reviewer’s Rating: 7
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May 21, 2026
This is one of those mangas I picked up purely cuz of the absurdity of its premise. The story follows Alex Purchinov, the president of a not-so-subtle fictional Russia, acting as the not-so-subtle parody of Putin, getting isekai'd into a fantasy world. Purchinov has a fetish for riding things and that's how we got the title. I remember picking this up around the time the Wide Putin meme was getting popular so, while the irl person isn't generally well-regarded, the reception to his likeness was not that bad. Despite the 2020 meme, a year or so later, the war with Ukraine started amping up and
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unfortunately that's an external factor that made reading the series feel just a little more sour.
The art is pretty good. There's tons of details especially with monsters and anatomy, and the realism of it all can be pretty cool. With that said, I do have some qualms with the line weight, as a lot of times, it can be so thin that it's hard to distinguish between detailed muscles and complex armor that they're attached to. There's also a slight same face syndrome to be seen, although since it happens for both male and female characters and the races seen can vary, I can give it a pass.
As for the story itself, it's fine. I thought the series using Purchinov's penchance for "riding" is kinda satisfactory, as it feels like an almanac entry being unlocked, if that makes sense. As we meet more bipedal races though, that template takes a bit of a backseat, which is sad. Purchinov is accompanied by a knight, a witch, and eventually an elf mage in his isekai journey. I thought the girls are cool but there's a point in the series where the witch girl just stops feeling "serious" in the grand scheme of things. Which is weird, because her lineage ties to the overarching plot and she's just there with the same 🙂 face, as always. The big bad is an immortal witch that was isekai'd decades before Purchinov, and I find the final fight to be lackluster. Purchinov merges with some god being, taking down the big bad and he gets amnesia? This was right after he mentioned his atrocities in his homeworld despite the start of the story portraying him as a "dictatorial but not that serious it's just a manga" president. I don't think that ending would've happened if not for the previously mentioned external factors, so that's a bummer.
Despite the premise, the eventual story felt pretty generic. I don't think the many twists and turns of secret ancestries and monster origins ever really tittilated me past a "mmm ok...". Overall, 6/10. Not much else to say.
Reviewer’s Rating: 6
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May 5, 2026
This is a shounen comedy manga set in the Wild West and since I was reading War on the Cimarron at the time, I was in a bit of a western kick. It was a fine series. The story follows Evans, a man who trained to become a sheriff purely because he wanted to be popular with the ladies. The setup is comedic and for 200+ chapters, it follows a particular format. Each chapter starts with Evans investigating something with the ulterior motive of wooing a fine woman or to become popular. Shenanigans happen which gives Evans an ultimatum on the situation, which he then
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remembers his father's teachings about this scenario, but then it's revealed that the woman either has a bf, is not interested, or is just a criminal. This accidental supernatural insight is the bulk of the comedy and I find it pretty easy to digest. I wouldn't so much as call it fast food despite its repetitive nature but it's maybe only a tier higher than McDonalds.
Aside from Evans, a bunch of other recurring faces are present, most notably Phoebe Oakley, the heroine of the manga. She and Evans have feelings for one another but it's in this very casual "will they won't they" approach so you're not miffed whenever Evans pines for another woman. Oakley's pretty fun. They gave her this fake telekinesis later into the manga and I had some fun with it. She's a huge fan of Evans almost to the point of stalker-y but thankfully it's light enough to see it as akin to Rodger Bumpass collecting Spongebob memorabilia. Kurt, Evans' father, appears a bunch of times midway through the series and he's a charming womanizer. Although since he's mostly seen through flashback lessons, I kinda don't agree with a handful of 'em. It fits the lowkey scummy nature of the character but there are a lot of times where you're gonna go "wait, that lesson is so trash, actually". Oakley gets her own besties of girls and I thought they were pretty cute.
Other than the formulaic chapters, the mangaka would occasionally do arcs and they're related to an overarching storyline of Evans' being targeted by "Mr. D" and a man using a Spade as a dogwhistle.The first time this was introduced, I thought it was cool cuz it brought all these recurring characters together with a slightly more serious story but the pay-off was pretty bad. We get the reveal after 80% of the manga was done and it's the Vice Mayor of his town, and Mr. D was Django, a recurring character who had an unbeatable gunslinging record. There was no weight to the Spade man and his actions in the arc where he got revealed. I wasn't expecting something super serious but at least something more impactful would've been nice. Like, literally who? That's how I felt
I was debating on whether I would give this a 6 or 7 out of 10 but the thing that really bumped this one to a 6 was the ending. It ended like any other chapter would and while I'm tolerant of the callback to Ch. 1 it just wasn't good. Oakley was here from the start and was touted as the one Evans was gonna end up with. But since the author couldn't even follow it up with that- on the last chapter, mind you- it just feels like a wet sock inside of a shoe. Quite disappointing. The final omake didn't even mention it either. It was just that. So while the overall bulk of the manga is fine, the ending was a flop. If you're gonna read this, just know that Evans and Oakley is a "won't they" because the author is a bitch. He had no reason to do what he did. It's the last chapter, bro. 6/10.
Reviewer’s Rating: 6
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Mar 27, 2026
This is a Shounen Jump manga that I picked up because I heard it was one of the "new Big 3" shounen mangas and I can see why that was the case. I started just before the anime came out so I can safely say I'm cool like that. The story is separated into two parts so imma go and start with Part 1. Honestly, it was amazing. There's a lot of grit, grime, and gore in this manga though it never really felt "dark" in terms of its artstyle. Tatsuki Fujimoto uses a lot of white space and I think that adds to the
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absurdity of characters being fun and crazy in spite of the fucked up things happening to them.
The characters are really cool. Denji is a great main character alongside Aki and, oh yeah, Power's fine too. Denji's upbringing lends to some interesting thoughts and his perverseness is a part of the absurd charm. I especially liked how we also get a clear countdown to Aki's lifespa. It builds up the heartbreak until we inevitably get his death, and how the impact was there for Denji and Aki's "snowball fight". Makima was a great character as well. The reveal of her being a four horseman and the mystique around her powers was greatly executed. The Bomb Girl arc was one of the highlights and it's not even recency bias talking. I really liked the dynamic Reze brought to the table despite her comparatively small time on-screen, or rather, on paper. My favorite arc would prolly be the International Assassins arc. There were so many good characters introduced that range from badass, to weird, to charismatic.
Santa Clause was a good mini-reveal and I really liked the design. Speaking of design, Fujimoto has a knack for devil designs. I wouldn't expect anything too crazy from something like a Typhoon Devil but he made it more interesting than you would think. The final arc was awesome too. The mangaka is a huge fan of movies so it wasn't a surprise that the lead-up to Power's death, the Gun Devil red herring, and the fight with the other hybrids until Makima's death made for a pretty cinematic experience. If Chainsaw Man ended in Part 1- and you can take my word that it definitely could've- it would probably be a 9/10 in my book.
Unfortunately, that didn't happen, as we got news of a Part 2. To be honest, I thought the first few arcs of Part 2 were good. Asa and Yoru's introductions were great and slowly revealing parts about Asa's messed up life was done well too. Yoru's personality worked for me back then as well. But then the chapters started getting shorter and shorter, not necessarily in pages but in substance. Characters would talk but a whole lot of it would be easily-consumed just 5 minutes after opening MangaPlus.
The story just felt like it was meandering to the point where pivotal moments would just have 0 impact on me. Nayuta's death felt lackluster alongside Barem's schtick as a nutcase villain. The sidelining of Asa and Yoru also made me care less about the former's struggles, and eventually made Yoru less threatening than how she was introduced. I cared so little that I even binged the entirety of Part 2 up 'til the latest chapter at the time just to light that passion in me. It worked somewhat and it made me realize that Part 2 is better as a binge experience but a good story wouldn't need to have me do that in the first place.
The fake Chainsaw Man subplot was surprisingly "small" despite the mystery seeming like it was supposed to be bigger. To me, the religious angle to the Chainsaw Man persona was lacking in intimidation as well. It never really brought anything specific in terms of its cultish nature, and that applies if it was trying to be comedic as well. Overall, this part also made the four horsemen feel weightless. Famine did fuck-all, and Death was just there for the laughs. The reveal that Fami was actualy Death (Lil D) was nice but the follow-up, again, lacked in tension especially when it's caught up the middle of the Chainsaw Man vs. War Devil arc.
Speaking of the final arc, it was quite disappointing. My binge-read was all for naught because the manga again fell into a pit of 5-minute reads consisting of nonsense, over-the-top art that did not amount to anything. Part 1 did it much better and the chaos had a reward in its end so the satisfaction was there. This did not. Literally in the penultimate chapter, no one expected an announcement of its finale, as the fight felt like it was still only halfway done. The abruptness felt like a total conceding in defeat when the author wrote himself into this incoherent dribble of a corner. A “that’s life!” message in the form of a universe reset, to me, reads like tank nearing empty. I’ve seen a couple of analyses in favor of the ending and while there are some beats that I can agree with, I truly cannot see this as anything more than the result of a self-inflicted confusion, or at the very least burnout.
Denji all throughout this story has been choosing his dick- his own hedonism- in favor of what is objectively good for him. And to the stop that, the literal beating heart of the story chooses to rip itself out, without Denji’s consent. To save Denji is to “end” the story. But, so what? The heart outright says our protagonist is happier living in poverty and in constant danger rather than living an average life that could still be as dangerous. He is broken, and the root cause has to literally remove itself from the narrative in order to spoonfeed him his happiness. And yet, it still doesn’t make sense. The entire manga’s story, development, etc. is all for naught, for the purpose of letting the protagonist rest, but the manga ends with our main character following the same story we started with. He got enrolled in the life of a Public Safety employee once again. And once again, he will continue to yearn for the streets he was in, just without his “heart”. Denji couldn’t find happiness on his own, so the story felt the need to give it to him. And despite that, the story after is still leading him through the same path the “heart” once called was his “unhappy situation”. This is nothing, and even if the interviews portray it as intentional, it rips your attachment not only to the world, but to the character, because this isn’t him anymore. This is his internal hell after his internal hell. Got a little too wordy there but in conclusion, Part 1 is goated with the sauce, and Part 2 is straight dookie water. 6/10. Score is obv carried by Makima’s fat, stinky ass.
Reviewer’s Rating: 6
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Sep 24, 2025
Some spoilers for CSM Part 2 included
This is a movie adaptation of Reze's arc and it directly follows right after where the anime left off. First of all, I wanna get the negatives, or rather the negative, outta the way because 99% of what I have for this film is praise, as an adaptation. Mappa has shifted their style to mimic the manga's artstyle closer rather than going for their own muted, cinematic twist. While I thought the original Mappa style was awesome and incredibly polished, I can't help but feel like a small portion of the scenes involving CG looked a little less smooth
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due to the change in artstyle direction. Now with that out of the way, here's everything good about it.
Firstly, the animation. Mappa comes back with their A-game here, being at the cream of the crop when it comes to integrating 3D and 2D junk. There's a scene at a beach and I believe they used real photos for the ground and I thought that was an amazing detail, especially when you see a character walk and the footprints are set up there too. Animating the little things are a part of what makes this film pop too. Reze's cheerful, yet meekly mannerisms were a highlight to me, but a bunch of the goofy goobers like Beam and Violence and Power are here too, and I just loved seeing them move "accurately", if that makes sense.
I just skimmed through a bit of the arc in the manga and I noticed that they added certain things to emphasize the narrative and I just thought it was a treat. When Makima was talking about Angel's power of turning people into weapons, we get a shot of just her eye, most likely implying Yoru as a horseman sister. Another thing I liked was in the swimming segment, where we get Reze's VA actually singing the Soviet song, and a new addition of a B-roll of a butterfly getting caught in a spider's nest and getting subsequently eaten as Denji falls head over heels to Reze. It was a very lowkey B-roll which is more for the overthinkers and the manga crowd and I just loved that. Speaking of the swimming scene, the music REALLY elevated it, giving a very ethereal quality. They added a bunch of swimming and whatnot and it feels all so very intimate. The "city mouse or country mouse" line and the one before the fireworks kiss focused on half of Reze's face (mostly the eyes) rather than her side profile. The devil hunter bounty hunter guy wasn't just in his own dingy apartment. They made it so that he was in the middle of a job and was just freshening up before killing a restrained woman in a different room, presumably his target at the time. The additions and overall translation from manga-to-anime was definitely DEFINITELY worth the the money I spent on this film during release day.
Second off, the music. Kenshi Yonezu comes back twice here, singing the full OP and co-singing the credits of the film. The score is amazing. There's tons of high-octane ones that pair really well with the action, and a lot of some pianos and stuff with strong pauses and whatnot. I'm not sure how to expertly describe it but the saws def made a return and you can't have a CSM thing without em. Due to the movie having an OP, I thought it would feel more as a longer anime episode, rather than actually being a movie, but I was thankfully wrong. Not that a long chainsaw man ep would be bad, but I was expecting a movie spectacle for this one.
And a spectacle, I did receive. The climactic fight was killer. Due to Reze being the bomb devil, we naturally get a lot of loud kablamo sounds and they're very impactful. Not just because of the sound itself, but the way they frame her attacks. Other than the amazing sakuga which was mostly clear, yet fast-paced, the sound design were amazing, third of all. Reze's snapping fingers move had a strong but short ringing snap sound, which was followed by the boom booms. The animation was really smooth when it came to Reze's first transformation, as well as her moves that turn her limbs into missiles. That was so sick. Stuff like slashing sfx were also really "in your face" and it just hits different.
The ending was heartbreaking all the same, as well. Reze's death through the Makima-Angel double team was just as strong as it was in the manga. The last shot before the panel of her fully bled out was, again, a front facing one rather a 3/4s one. In short, the Reze movie was the bomb mhm yeah.
Reviewer’s Rating: 10
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Sep 1, 2025
At the start, it had a very chill, yet gothic tone due to the setting and the format of the chapters. It had its moments of slice of life where each chapter adds a little bit to the relationship between the Duke and his maid. The story being melancholic at times added to the comfy nature of it all and that wouldn't change up until we got to meet a variety of characters. I will admit that the manga has done well with how they spaced these introductions as well as the introduction of the overarching plotline.
However, when the series transitioned into its plot-related content,
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certain parts dragged a bit especially during the magic school training arc. Fight scenes are lackluster as well so it was a benefit that the manga relied more on character interactions even during the final fight with Sade. It was an all-around decent series that I didn't like as much as it progressed but it managed to keep me engaged mostly due to the cast members expanding, with the likes of Caph, Zain, Walter, and Daleth- in which the latter two I have fond memories of the dynamic between them.
Reviewer’s Rating: 7
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Aug 4, 2025
Quite an interesting to see a 6-episode anime with varying runtime per ep. I thought it was your usual Netflix mismanagement affair but I was surprised to see something this tightly-packed in a good way. First off, the animation is stellar. There's a lot of POV shots and the bubbly movement adds to the charming artstyle. Speaking of the artstyle, they really went all-out with the animation of expressions and how free and fluid some of the characters look at times. It's a direction that was much appreciated due to how heightened the subject matter takes itself.
The score is also pretty cool. There's a melancholy
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that comes with the sappy stuff, and peppy music accompanies the more happier scenes. The latter usually comes in raw and halts to an abrupt stop, giving the narrative a somewhat dark comedy vibe, which I'm admittedly neutral on. But when it works, it works real well. There's something so inspired about the way they used camera angles here too. Subtle things like the POV from Shizuka's hanging, and the light covering Marina's dad's face on the dinner table were all much appreciated in setting the scenes.
As for the characters, there's Takopi. His character design is a strong contrast to what's going on with the other 3 main characters. The innocent personality of his is one that exudes charm and really gives a whole lot of impact when he observes something that's kinda fucked up. Shizuka's arc was good. I figure the last stretch of the show where she was on her delusional era needed a liiiiiittle more punch for me but overall it wwas handled well. Marina's whole thing with her home life and how we get bits and pieces of it all throughout was great. Sadly, I feel like the weakest character in the series for me was Azuma. The Asian mom stereotype was definitely the biggest part of his conflict but it's less compelling than the more "serious" problems Shizuka and Marina had. Ultimately, his toxic behavior of wanting Shizuka's approval served more as a hype man for that character's narrative rather than his own.
I personally see episode 5's reveal to be one of the most interesting parts of the series, as it tackled the title as it is and showed us a side of the story that tied things together. It helped that bits of the dialogue and visuals had me going like that Leonardo DiCaprio pointing meme- the way they were all cleverly called back to. Speaking of the ending, I do have some minor problems. While Takopi's presence in the last 2016 loop was felt and I shouldn't sweat the small stuff on how it affected the crew, I do feel like there should've been a spoken line on Marina's part, where she acknowledges that hurting Shizuka was never going to fix her family, and that Shizuka was never at fault. But regardless, it was a short and entertaining show.
Reviewer’s Rating: 8
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Apr 30, 2025
The early parts of the manga were pretty good. It follows the story of Komi, a beautiful, unintentionally-popular, and silent girl who has trouble communicating with her peers, aided by the most average of average guys, Tadano. Nearly all of the characters have pun names based on their personalities and I thought that was kinda cute. The original formula relied on Komi just doing cute things and slowly forming a bond with her classmates, as she tries to reach her goal of getting 100 friends. Over time, the series would go through multiple recurring characters because of this format and how we follow Komi’s
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life through 3 years of highschool. This would work both as a positive and to the manga’s detriment as this meant not being able to see weaker personalities in the future, but also not being able to stick with great characters as well. This can be observed through characters like Najimi, who was the original comic relief of the bunch that would go on to have a less important role in the future. Over time, Najimi’s presence would become more of an annoyance which was not appreciated. For characters that I was glad that were gone, we go to Yamai. She was not great and the fact that we got a chapter dedicated to her in the last few chapters of the manga was too little too late. Oda should’ve made her kiss Nakanaka violently or something to make up for it but he didn’t.
Like with most people, I find that the fall off point for the manga started after the whole love triangle drama. The hints themselves with Tadano rizzing up Manbagi were good enough as a spice but the moment they actually had to resolve it, I felt like they needed to wrap things up. That irritating period really diminished people’s love of the manga, including mine. It didn’t help that Komi’s 3rd year cast was the weakest by far. An entire arc dedicated to the germaphobe girl was not necessary. I did not care for her nor her relationship with the sweaty girl. The ex-student council pres becoming a recurring character was ass too, seeing as how I think she is the worst recurring character of the entire series. The gimmicks of the other 3rd year classmates too were not all that great. Personally, I’d say the 2nd year classmates were the best. They all had a part to play and each of their dynamics with one another were at least acknowledged. The homoerotic tendencies between Tadano and Katai were silly. Naruse and his portioned interactions with sweat girl were cute. Of course, Manbagi was great.
After the slump, I can honestly say that Komi picked itself back up after Tadano and Komi finally “will they”’d. The silly SOL adventures started feeling more fun and comfier as they hit familiar manga romcom notes. Komi’s development from only doing notebook writings to full-on conversations also helped pushing the envelope as well. Basically, anything that didn’t have them playing games with Najimi and/or ex-student council pres were good. We didn’t get too much of it near the end but I had fun with Tadano’s sister-Komi’s brother chapters too, especially with the former’s assertiveness. In the 3rd year, we also got extra plots relating to this group of underclassmen, mainly focusing on the tall girl I forgot the name of. I appreciate the yuri. It wasn’t enough to fill the Yamai x Nakanaka gap but it’ll have to do. In conclusion, Komi-san wa Comyushou Desu started off great, then flopped, and then picked itself back up again (not as great as the start but still). I’m glad I read it but I’m glad it also ended.
Reviewer’s Rating: 6
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